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nt to feel in their clothes. He is catering to a very luxurious customer, and that customer will love the idea that the clothes were shown on the most powerful beauties in the world, and only in front of the most powerful critics. It's a reaction against the mass and rabble that the industry has become."Carine Roitfeld, the editor of French Vogue, whose daughter, Julia Restoin-Roitfeld, appeared in the show, called it "amazing, chic and very, very funny. Just like Tom".Ford's decision to use a range of models and non-models, women of different ages and body shapes, struck a chord with both audience and models. "These are the women who would really buy and wear the clothes, and they look fabulous in them," Singer said. "They are beautiful, but they are also beloved w
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riving to shrug off its French connections, and the young are learning the Anglo-American of the internet. Also, a substantial percentage of the country's inhabitants are tribal Berbers, with their own dialects and identities. They converted to Islam in the seventh century but consider themselves Berbers first and Algerians second. I was surprised how keen they were to interact with the West, share their culture and be accepted into the international community. Berbers are historically nomadic people, well practised in the art of hospitality. Many of the most generous human beings I encountered on my 16-month odyssey round the Mediterranean were Algerians. I began with the Unesco World Heritage Site of Tipasa, 60km west of the capital, Algiers. Founded by the Phoeni
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s and murder, as several storylines sprawl out around the central scene of a woman being run over in a traffic accident.Also back, and in fine form, was Matteo Garrone, the Italian director whose Gomorrah was such a success in 2008. His terrific film Reality is again set among the poor of Naples but tells a heartbreaking story of Luciano, a fishmonger who dreams of appearing on Grande Fratello (Big Brother) and loses his grip on reality while dreaming of fame.The film is both funny and bitterly satirical and, although thoroughly modern, is infused with the best, humane spirit of Italian neo-realism. It might look like My Big Fat Italian Gypsy Wedding, but it exhibits a crucial generosity toward its characters and their spirit. It features a remarkable performance fr
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and Travelgate.It puts the politics of his current job in perspective. "I spent 25 years in Washington so I'm no longer shocked by the fact that there's gambling in the back room," he says. His political nous may explain why he refuses to publicly criticise the Bush administration for effectively overturning everything he stood for as anti-trust tsar over Microsoft."I'm not a look-back guy," he says. "You will not see me commenting on any thing or department I've worked for after I've left."He left government for Bertelsmann, despite having no real media experience. He gave in his notice three days before his sponsor, then chief executive Thomas Middlehoff, was sacked after falling out with the owners.It was purely coincidental but amazing timing," says Klein. "If
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